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All things 'Maserati'. News of forthcoming models, owner's cars, tips, 'Marque' reunions and the odd touch of humour! In fact anything of interest to the 'Maseratista'.

So if you have any news about Maseratis or have anything owners and enthusiasts should know, send details to enricomaserati@btinternet.com

 
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From Newspress in the UK
 
MASERATI HIGHLIGHTS AT GOODWOOD FESTIVAL OF SPEED 2014.
 

Maserati Alfieri Concept takes centre stage in the Stable Yard for Maserati’s centenary:

Maserati A6GCS named ‘best in show’ in the Cartier ‘style-et-luxe’ concours d’elegance
Maserati MC12 ‘Cent 100’ driven by Michael Bartels wins class and second fastest overall
Sir Stirling Moss and Lord March sign special Goodwood inspired Maserati vintage poster

Maserati showcased its largest ever collection of cars at Goodwood Festival of Speed over the weekend as part of the Italian brand’s 100 year celebrations.

Maserati took over the Stable Yard at the Goodwood estate for the duration of this year’s event with its past and present cars – including some of the rarest models from its 100 year history and its entire current range. The Maserati Alfieri Concept headlined the festivities after it made its UK public debut alongside the GranCabrio MC Centennial Edition.

On the Cartier ‘style-et-luxe’ lawn the stunning 1953 Maserati A6 GCS Berlinetta drew admiring glances during the four days of the event and was ultimately rewarded by the discerning judges when it was named ‘best in show’. With its purposeful stance blending harmoniously with its elegant design, the Pininfarina-styled A6 is widely acknowledged as one of the most beautiful and desirable cars of all time. The Maserati, which is owned by Egon Zweimuller Jr, took victory in the Maserati-only Class 3: ‘The height of fashion – coach-built Maserati’s of the 1950s’, and later beat off competition from the other class winners to claim the overall prize.

In Sunday’s shoot-out former GT1 World Champion and ex-grand prix driver Michael Bartels won the modern endurance racers-post 1980 class with his specially liveried Maserati MC12 ‘Goodwood Cent 100’ and came a close second behind Sebastien Loeb for the overall top spot, with a time of 45.82, just 1.22s behind the winner. The car is decorated with artistic paintings of Maserati’s motorsport glories: Stirling Moss in a 250F, the MC12 FIA GT cars and even an outline of the Goodwood hillclimb route feature.

Visitors to the Cathedral Paddock would have seen over twenty Maserati’s ranging from the oldest Maserati at the event, a Tipo 26M, to Fangio’s F1 championship-winning 250F as well as several examples of the MC12. The all-Maserati class, ‘100 Years of Maserati’, entertained spectators twice a day when they negotiated the famous Goodwood hillclimb with a significant number winning their class in the timed shoot out, including a Maserati 4CS in the Grand Touring Cars (pre-1945) and the Maserati 300S and Maserati A6GCS coming first and second respectively in the Road Racers of 1945-1964.

The Maserati GranTurismo MC Stradale and GranCabrio MC entertained spectators with the unmistakable sounds of their V8 engines as they participated in the Michelin Supercar Run over the weekend.

There was live art on the Maserati stand courtesy of Italian artist, Enzo Naso, who was completing a special motorsport poster from Maserati’s ‘A Century of Victories’ art collection featuring Stirling Moss racing the legendary Maserati 250F at Goodwood Motor Circuit in 1954. After Sir Stirling Moss and Lord March visited the Stable Yard on Sunday to sign the unique lithographic print with Enzo Naso, it was donated to Goodwood for charity.

The ‘A Century of Victories’ lithographic prints are available on www.maseratistore.com or through the Maserati dealer network.

Text and photos courtesy of Maserati.

 

Maserati MC12 ‘Goodwood Cent 100’
 

Maserati Alferi concept

Maserati Alferi concept
 

Lord March, Stirling Moss and the Alferi Concept

Maserati A6 GCS Berlinetta by Pinin Farina
 

Maserati A6 GCS Berlinetta/TD>

Maserati A6 GCS Berlinetta
 

Maserati 250F

Maserati Tipo 8CL "Boyle Special"
 

Maseratis in the Cathedral Paddock

Maseratis in the Cathedral Paddock
 

Maserati MC12 Goodwood Cent 100

Maserati MC12 Goodwood Cent 100
 

Maserati MC12 Goodwood Cent 100

Maserati MC12 Goodwood Cent 100 and Michael Bartels
 

Maserati MC12 Goodwood Cent 100

Maserati MC12 Goodwood Cent 100
 

Maserati MC12 Goodwood Cent 100

Maserati MC12 Goodwood Cent 100
 

Maserati Tipo 26M

Maserati GranCabrio MC and GranTurismo MC Stradale
 

Maserati 300S

Maserati Centennial exhibition
 

Maserati Centennial exhibition

Michael Bartels
 

Stirling Moss, Peter Denton, Lord March and Enzo Naso

A century of victories - Goodwood lithograph
 

Stirling Moss and the Alferi Concept
 
 
 
 
 
From Enrico in the UK
 
MASERATIS AT RM AUCTIONS - Monterey 2014
 

Three highly important and desirable Maseratis are due to come under the hammer at the RM Auctions sale in Monterey on the 15th and 16th August 2014; a 1961 Maserati 3500 GT Coupe Speciale with coachwork by Pietro Frua, a 1959 Maserati 3500 GT Spyder Prototype with coachwork by Vignale, and a 1963 Maserati 5000GT with coachwork by Pietro Frua.

You can find out more about the RM Auctions sale at Monterey, and their forthcoming auctions on their website at www.rmauctions.com/auctions/

1961 MASERATI 3500 GT COUPE SPECIALE

Coachwork by Frua
Chassis No. AM 101*1496*

220 bhp, 3,485 cc DOHC inline six-cylinder engine, four-speed manual transmission, coil-spring independent front suspension, live rear axle with coil springs and radius arms, and hydraulic front disc and rear drum brakes. Wheelbase: 94.1 in.

• The sole survivor of two cars built in 1961 to this striking Frua design
• Formerly owned by John Bookout and Keith Duly
• Beautiful show restoration by Duly and Chris Charlton
• Original build documentation
• A fascinating “baby 5000 GT”

Few coachbuilders of the 1960s produced as audacious coachwork on Maserati chassis as Pietro Frua’s Carrozzeria Turin. In particular, Frua’s talented hands were responsible for some of the most audacious bodies for the “super Maserati,” the 5000 GT. Each 5000 GT was a unique, bespoke, tailored automobile, and it is only fitting that Frua’s unique designs on those chassis would inspire special creations for other Maseratis as well.

 
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

1961 Maserati 3500 GT Coupe Speciale...
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

The car offered here, chassis number AM101.1496, is one of two similar 3500 GT chassis bodied by Frua, both in 1961. The other was AM101.1494, and as its whereabouts have been unknown for many years, it is believed to be lost or even destroyed. Smooth, sleek side panels, curved only by a sharp crease at the beltline, connect a stunning tail. The “of the moment” quad headlamps are set in an attractively custom-designed bezel, and a thin wraparound bumper accentuates an aggressive nose with a deep inset. Typical of Frua, who loved fine detail, the car is sprinkled with delicate chrome accents, including miniature Maserati tridents above the quarter windows. Later, circa 1963, Frua built two more cars to a similar design in the fuel-injected 3500GTi series.

 
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

1961 Maserati 3500 GT Coupe Speciale...
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

Frua completed the 3500 GT in May 1961, delivering it to prominent Maserati dealer Martinelli & Sonvico, of Lugano, Switzerland. A month later, it was registered for the first time, as BE 999997, to Jacques Bordier in the city of Bern, Switzerland.

 
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

1961 Maserati 3500 GT Coupe Speciale...
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

The car was later imported to the United States, and by the mid-1970s, it was in the hands of a pair of enthusiasts in Chicago, although it was missing its original rear window and engine. It passed into the hands of a Dr. Harms, of Sioux Falls, South Dakota, and then to Frank Mandarano, the well-known supplier of Maserati cars, parts, and knowledge and the founder of the Concorso Italiano. Mandarano owned the unique Frua 3500 GT for several years before selling it in 1988 to Doug Speer, from whom it was acquired in 1993 by Jerry Wood.

 
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

1961 Maserati 3500 GT Coupe Speciale...
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

In 1996, renowned Maserati collector John Bookout became the car’s next owner. Bookout extensively researched its history with his typical thoroughness, including contacting Adolfo Orsi and Frua historian Stefan Dierks. Together, the men were able to conclusively confirm the car’s identity as chassis number AM101.1496, and Bookout embarked upon the restoration. Before work had been completed, he sold the car in 2007 to another well-known marque enthusiast, Keith Duly, who is well known for the quality of his own restorations.

 
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

1961 Maserati 3500 GT Coupe Speciale...
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

Duly completed the car’s return-to-original condition, with the cosmetic work being performed by Chris Charlton, of Oxford Maine, whose restorations have won Best in Show at the Pebble Beach Concours d’Elegance, and the mechanical work being performed by Duly’s own shop. The work completed included a careful inventory of all of the car’s original components, with as many as possible being restored and reused to ensure authenticity. An earlier replacement engine installed in the car was found to be in poor condition, so it was replaced with a freshly rebuilt 3500 GT unit, which is a swap that has occurred in many 3500 GTs of this era.

 
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

1961 Maserati 3500 GT Coupe Speciale...
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

The car, originally red with light brown Connolly leather upholstery, was stunningly refinished in Azzuro Metallizato with tan leather upholstery and grey carpets, resulting in a wonderfully handsome color combination for such a daring design.

 
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

1961 Maserati 3500 GT Coupe Speciale...
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

After its restoration was complete, the 3500 GT Coupe Speciale was finally debuted, to much acclaim, at the 2011 Amelia Island Concours d’Elegance. It was acquired by its present owner a short time later, and while in his care, it has continued to be shown at concours and receive the best of care and service by Autosport Designs. This Speciale was recently shown at the 2014 Greenwich Concours, where it was awarded Most Outstanding Maserati, in a field where Maserati was a featured marque. The consignor notes that the car has been “serviced religiously,” and as such, it would be proper to continue on the show circuit and no doubt be a supreme pleasure to drive !

 
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

1961 Maserati 3500 GT Coupe Speciale...
Photo Credit: Erik Fuller ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

It is accompanied by a certified copy of the original Technical Data Sheet and a Certificate of Origin for AM101.1496, both provided to Mr. Duly by Maserati Classiche on August 24, 2011, and copies of the handwritten build record and the original shipping invoice are also included.

Few 3500 GTs have the same epic proportions and aggressive demeanor as the 5000 GT, but this one does, and, indeed, it can be considered the only true “junior” 5000 GT known to survive. In addition, it has been carefully restored by a marque expert for his personal enjoyment following years of careful research and attention by such devoted connoisseurs as John Bookout.

This spectacular automobile is a car that could personify any proper Maserati collection, which without a limited-production or unique creation would not be considered complete, particularly one without this all-important centenary year for the marque of the trident.

 
 
1959 MASERATI 3500 GT SPYDER PROTOTYPE

Coachwork by Vignale
Chassis No. AM 101*678*

220 bhp, 3,485 cc DOHC inline six-cylinder engine with triple Weber 42 DCOE carburetors, four-speed manual gearbox, independent front suspension with coil springs, live rear axle with semi-elliptic leaf springs and tubular shock absorbers, and four-wheel drum brakes. Wheelbase: 100 in.

• One of a believed three Vignale-bodied prototypes; arguably the most elaborate
• Delivered new to renowned sportsman Lindsey Hopkins
• Reported to have a matching-numbers drivetrain
• Subject of a nut-and-bolt restoration
• Documented by original Maserati factory delivery paperwork

When it was introduced in March 1957 at the Geneva Motor Show, the Maserati 3500 GT Coupe was the marque’s big hope for the future. Maserati was primarily known through the 1950s for their competition successes and fielding some of the day’s most potent engine and chassis combinations, but it had spread itself thin, to the point of near insolvency, by the end of the decade, with entries in three different sports car classes as well as Formula One racing. A fundamental lack of financing badly hampered each of these pursuits, and despite the immense potential of racing sports cars, like the four-cylinder 250S and the V-8-equipped 450S, it was the six-cylinder 300S that became the marque’s most consistent competition performer, consequently absorbing most of the engineering team’s attention.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1959 Maserati 3500 GT Spyder Prototype...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Vignale
 

With the cancellation of its major racing programs just over the horizon, Maserati needed a production car that could catapult the company to solvency, and it found its proven straight-six engine the most suitable for serial production. Although prior models like the A6GCS/53 and A6G2000 GT were beloved by the Modena faithful, their hand-built construction and low production volume undermined any potential for profit. The 3500 GT addressed these concerns with an extension of the competition inline six-cylinder motor, which was now reworked to displace 3.5 liters and was tuned with a modified camshaft, a design based on the 350S. With elegant coupe coachwork by Touring, the 3500 GT went on to be the company’s biggest commercial success to date, eventually producing an impressive quantity of almost 2,000 examples over eight years.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1959 Maserati 3500 GT Spyder Prototype...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Vignale
 

THE VIGNALE SPYDERS From the inception of the 3500 GT, Maserati intended to create a spyder version, but as was often the case with Italy’s boutique automakers of the time, considerations of capacity and choice of carrozzeriere were always challenging issues. During 1957 and 1958, Frua and Touring individually bodied at least three of the early 3500 GT Spyders, but Maserati was clearly not convinced by any of these designs. By 1959, the marque selected for production was a variation on the three that had been posed by Vignale, which officially debuted at the Turin Motor Show later that year. The Vignale Spyders were constructed on a slightly shorter wheelbase than the coupes, and they soon became the premium open Italian sports cars of their day, rivaling Ferrari’s 250 GT Cabriolets as the most elegant and exclusive sporting convertibles on the road. Just 242 examples of the luxurious Vignale Spyder were eventually produced, adding a degree of rarity to their distinctive style.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1959 Maserati 3500 GT Spyder Prototype...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Vignale
 

THE PROTOTYPE, CHASSIS NUMBER AM101.678 Chassis 101.678 is approximately the tenth open 3500 GT built, and it is one of as few as three prototypes built by Vignale as they searched for the perfect combination of styling cues. Physically, this car differs from the forthcoming production version in its side trim, principally with the angular semi-sweep-spear design that starts towards the front fender’s crest, carries through the door, and then commences with a mesh outlet similar to the front grille, which itself was uniquely extravagant, with its hint of Dual Ghia side grilles. This exquisite brightwork is among many features that serve to distinguish this prototype from the short center-placed vents later seen on the production Vignale Spyders.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1959 Maserati 3500 GT Spyder Prototype...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Vignale
 

According to a copy of an original factory delivery note, this car was dispatched on February 15, 1960, to its first owner of record, Lindsey Hopkins. This was almost certainly the great investor and real estate magnate from North Carolina, who was known to be a respected sportsman in the post-war years. In addition to heavily investing in Bahamian real estate, which eventually helped fuel the Bahama Speed Week races, Mr. Hopkins sponsored his own race teams, which alternately appeared in venues as varied as the 12 Hours of Sebring and the Indianapolis 500. He also later partnered with racing team principal John Mecom to become the first owners of the New Orleans Saints NFL expansion franchise. As detailed by the original Maserati document, this Spyder was delivered in the care of Waco Motors in Miami, Florida (a city where Mr. Hopkins managed numerous business interests), prompting speculation that the car was ordered directly from the factory by the new owner.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1959 Maserati 3500 GT Spyder Prototype...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Vignale
 

By the 1990s, chassis 101.678 had come into the care of Texas resident William Strange, who reportedly had begun a restoration but left the car in a disassembled state for a number of years. Following a bankruptcy proceeding, the car passed through a dealer to Garry Roberts, who in turn sold it in 1996 to Kenneth Glynn, of Melbourne, Australia. Mr. Glynn’s partner in the deal, marque expert and racing participant Mario Lombardi, had been searching for good barnyard-find Maserati examples to restore, and he made a deal to acquire this car and two coupes, a 3500 GT and a 3500 GTi, under Mr. Strange’s care.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1959 Maserati 3500 GT Spyder Prototype...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Vignale
 

Mr. Lombardi was delighted to discover such a unique prototype example of the Vignale Spyder, and he treated the car to a full nut-and-bolt refurbishment. In addition to a complete mechanical freshening, the interior was reupholstered with red Connolly leather-covered paneling and seats with grey piping and was trimmed with complementary blue carpeting, while the exterior was refinished in a deep coat of dark blue paint. A wrinkle finish was applied to the dashboard and taillight housings, and the trunk was lined with proper diamond-quilted leather, which was to become a Maserati signature.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1959 Maserati 3500 GT Spyder Prototype...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Vignale
 

This sensationally restored 3500 GT Vignale Spyder Prototype was acquired more recently by the consignor, and to ensure that the car remains in good running condition and maintains its concours-quality presentation, it has been freshened in preparation for its current offering. It is a supremely sporty and elegant example, with its unique shortened-chassis proportions and muscular coachwork. It could easily be the crowning addition to any collection of one-off designs or early 1960s sports convertibles or an eye-catching and satisfying entrant for vintage touring events.

 
 
1963 MASERATI 5000 GT

Coachwork by Pietro Frua
Chassis No. AM 103*064*
Engine No. AM 103*064*

340 bhp, 4,941 cc DOHC 90-degree V-8 engine with Lucas mechanical fuel injection, five-speed manual transmission, independent front suspension with coil springs and tubular shock absorbers, live rear axle with semi-elliptic leaf springs and tubular shock absorbers, and four-wheel Girling disc brakes. Wheelbase: 104 in.

• One of 34 Maserati 5000 GTs produced
• The first of only two Frua-bodied examples built
• The 1962 Geneva and Paris show car
• Promotional car used by team owner John Simone and the Aga Khan
• Factory refurbished in period for use by King Saud bin Abdulaziz Al Saud
• One of the most important and glamorous Maseratis extant

By the twilight of the 1950s, Maserati’s somewhat dire financial conditions had substantially improved, thanks largely to the cancellation of their storied but expensive racing program after 1957 and the successful introduction of the road going 3500 GT the same year. As the company’s first true mass-production grand touring car, the 3500 challenged the day’s Ferrari 250 GT models for elegance and power, and they soon curried favor with the era’s most well-heeled automotive connoisseurs.
 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

One such suitor of the model was Mohammad Reza Pahlavi, the Shah of Iran, a long-time auto enthusiast who once roared around in Hispano-Suizas during his school days in Switzerland. Before his notorious 1979 exile, he filled his garage with a panoply of Rolls-Royces, Mercedes, and Lamborghinis. Intrigued by the 3500 GT’s potential, but ever keen on acquiring only bespoke, limited-production models worthy of the Peacock Throne, the Shah inquired if Maserati might create for him such a car, but one that was also equipped with the powerful five-liter V-8 that was developed for the mighty 450S sports racing car.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

Maserati, always keen to field expensive specialty orders from wealthy clients, quickly set about the task, with engineer Giulio Alfieri reinforcing a 3500 GT chassis and dropping in one of the unused 450S motors. The 2,600-milimeter tubular chassis was equipped with disc brakes up front, and Touring of Milan was selected by the Shah to clothe the car with rakish high-waisted coachwork that suggested both subtle power and masculine elegance. The new car was publicly introduced at the Turin Motor Show in November 1959, and two additional cars were soon built to the same mechanical configuration.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

Following the build of these three “first-series” cars, Alfieri modified the design to make the 5000 GT more agreeable in everyday road going conditions, as the 450S engine was famously unruly. After adjusting the bore and stroke to a slightly larger displacement, exchanging the Weber carburetors for Lucas fuel injectors, and replacing the noisy gear-driven camshafts with a triple-strand chain-cam, Alfieri produced a powerplant that was smoother, more responsive, and more appropriately refined for the elite clientele for whom the car was intended.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

At almost twice the price of the 3500 GT, and bodied by no less than eight different coachbuilders to different exterior designs, the 5000 GT was a top-shelf automobile on par with the Ferrari Superamericas being produced in Maranello, and they justifiably attracted the attention of an elite ownership base that included Gianni Agnelli, Briggs Cunningham, and the Aga Khan, among other influential buyers. By the time the final car was constructed in November 1961, just 36 examples had been built, but as two of these were essentially re-manufactured, the total number is more accurately stated as 34 chassis.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

This Maserati, originally built as chassis number AM103.048, was finished in gold metallic paint and appointed with a sumptuous interior of deerskin upholstery, creating a stunning livery that made for a strong impact when the car was initially exhibited at the Geneva Motor Show in March 1962. As the first Frua-bodied 5000 GT, the car displayed a number of interesting physical differences from the Touring and Allemano bodies that were produced in greater number. Its increased use of glass in the canopy was immediately noticeable. It was provided by a lower waistline that dips through the door, and rising at the rear haunch to a higher rear glass piece, the cue has the effect of endowing the car with a muscularly curved shoulder line reminiscent of Pininfarina’s 250 GT designs. Individual sculpting details in the body lines and brightwork, highlighted by a concave trident badge mounted over the grille, epitomize the car’s stunning elegance.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

After its display at the Geneva show, AM103.048 was used by French Maserati importer Colonel John Simone (a partner of Jean Thepenier) as transport from Modena to Sarthe, where the famed team owner’s Tipo 151 Maseratis were testing for the upcoming 24 Hours of Le Mans. Around this time, the car was reportedly used by the Aga Khan as well, who liked it enough to order his own Frua-bodied example (the second true Frua 5000 GT), which was constructed in August. After returning to the factory in Modena in September 1962, this car was refinished in blue-grey metallic paint and then displayed at the Paris Motor Show a month later.

After having served its duties as a marque demonstration and show car, chassis number AM103.048 was returned to the factory in the fall of 1963, refurbished by Maserati, and then resold as a new car, now as chassis number AM103.064. The 5000 GT was purchased in October by the owner of the Instituto Farmacoterapico in Rome and was then traded back in January 1966 to the factory, where it was again reconditioned and repainted in ruby red metallic paint, although the unique deerskin interior remained untouched.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

The Maserati was then sold to Abdel Majid bin-Saud, a Saudi prince who bought the car for his father, the playboy King Saud bin Abdulaziz Al Saud, who was living in exile in Cairo. Capitalizing on enmities between Saudi Arabia’s Wahhabist government and the secular administration of the fiery General Abdul Gamel Nasser, the expatriate king remained a lavish guest of the Egyptians until their disastrous campaign in the Six Days War of 1967 forced Nasser to mend political fences. Rapprochement with the Saudis compelled the Egyptian dictator to ask his guest to leave, and after King Saud departed for Greece, the minimally driven Maserati was impounded by the government for tax and import levies and remained in storage in Cairo for literally decades. When finally removed from Egypt and offered at auction in Monaco in 2000, the car’s odometer still displayed just 12,700 kilometers, which in all likelihood was a true indication of actual miles accrued.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

The highly original and modestly driven 5000 GT was then purchased by well-known Maserati collector John Bookout, and it soon became the recipient of an exacting four-year restoration that was executed by some of Modena’s best craftsmen. The restoration team included the esteemed Franco Bacchelli and Roberto Villa, old-world body men who learned their trades respectively from Piero Drogo and Sergio Scaglietti, as well as ex-Maserati factory employee and marque expert Giuseppe Candini. Following the completion of its restoration in 2004, the Maserati was exhibited at the discerning Villa d’Este Concorso d’Eleganza, where the car earned a First Diploma and Silver Plaque and was enshrined in the event’s Roll of Honour.

 
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

1963 Maserati 5000GT...
Photo Credit: Tim Scott ©2014 - Courtesy of RM Auctions

...with coachwork by Pietro Frua
 

More recently, this Maserati was acquired by its current owner, who commissioned Daniele Turrisi, of Brusaporto, Italy, to refinish the car in ruby red metallic paint, as per its livery while owned by King Saud. The owner presented the car in September 2013 at the Schloss-Bensberg Concours d'Élegance in Germany, where the car garnered two awards, First Place in the Frua-dedicated class and a special award for Most Thrilling Design. As chassis AM103.064 is one of just thirty-four examples originally constructed and the first of only two bodied by Frua, it is an exceptional example of the illustrious transport that Modena was producing for the world’s most wealthy connoisseurs and elite sportsmen. The car is believed to retain its original matching-numbers engine, and it still features the unique deerskin interior that characterized its original livery. This sensational Maserati has been sympathetically restored to a beautiful state, and it offers marque collectors an unparalleled opportunity to acquire Modena’s most significant prestige road car of the post-war period in its truly rare and most glamorous carrozzeria.

Text and photos courtesy of RM Auctions, and with my special thanks.

You can find out more about the RM Auctions sale at Monterey, and their forthcoming auctions on their website at www.rmauctions.com/auctions/.

 
 
 
 
 
From Enrico in the UK
 
2014 MASERATI GHIBLI S Q4 ENGINE ON EBAY
 

I came across this interesting item on eBay. Described as a 2014 Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Parts Engine;

Broken block, bent turbochargers, broken oil pan, and other miscellaneous damage.

I.I.H.S. V.R.C. test car with '96' actual miles.

Sold as-is ( www.ebay.co ).

 

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine
 

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine
 

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine
 

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine
 

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine
 

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine

Maserati Ghibli S Q4 3.0L V6 Twin Turbo *Collision Damaged* Engine
 
 
 
 
 
From Newspress in the UK
 
MASERATI OFFICIAL PARTNER OF THE YACHT CLUB DE MONACO.
 

Maserati strengthens its ties with the sailing world, sponsoring one of the world's most exclusive yacht clubs.

Monaco, 20th June 2014 – Luxury Italian car manufacturer, Maserati, has announced a partnership with the Yacht Club de Monaco (YCM). Set in the fabulous location of Monaco Marina the two brands share a strong passion for premium excellence and high performance both on land and sea.

As Maserati continues to celebrate its centenary this year the prestigious partnership was announced at the inauguration of the new YCM clubhouse - a facility designed by Norman Foster which has already been hailed as a new icon of the Principality of Monaco.

Maserati will be official partner of YCM until 2016 as well as the sole automotive sponsor of events organised by YCM.

 

Maserati official partner of the Yacht Club de Monaco
 

The YCM has 1300 members from 60 nations and many of the world's most prestigious private yachts fly the Yacht Club de Monaco’s burgee, testimony to its unique position on the international yachting scene.

“This year Maserati celebrates its Centenary, a fantastic new model line-up with the Quattroporte and Ghibli, and continual sales success worldwide; Maserati is on the rise in no small measure. The Yacht Club de Monaco is world renowned and shares the same Maserati standards of exclusivity, elegance and sport. Both brands represent excellence at an international level.”

 

The Maserati Lounge in the Yacht Club de Monaco
 

Harald Wester, Maserati CEO

"With a passion for the sea and sporting performance, Maserati has been welcomed into the world of yachting and our Yacht Club as Official Car and a member of YCM Partners Club. As part of the partnership the Trident marque, will give our members the great pleasure and privilege of being invited to exclusive, specially organised events. Welcome on board!"

Bernard d’Alessandri, General Secretary of the YCM

As a member of the “Partners Club”, Maserati will be present at the high profile events organised by the Club and will be able to use the exclusive Clubhouse rooms for private events. During the official opening of the new Clubhouse, a Maserati Lounge was set up inside the futuristic building.

The Maserati Lounge and the spaces at the YCM will provide a perfect setting for hosting conferences and events which Maserati and sailing legend Giovanni Soldini - currently undertaking transatlantic challenges on board a Maserati sponsored 70 footer - will be able to organise during the sponsorship period.

The relationship between Maserati and Giovanni Soldini began in 2012, when the Italian yachtsman, who was already a solo round-the-world winner, skippered the 70 foot Maserati to set the time reference for the “monohull” category in the Cadice-San Salvador run, covering the distance in 10 days, 23 hours, 9 minutes and 2 seconds.

Subsequently Soldini and his international crew, again on board Maserati, set the new record for another historic route, the “Golden Route” from New York to San Francisco, covering a distance of some 13,225 nautical miles. Soldini and his crew set off from New York on 31st December 2012, rounding Cape Horn after 21 days, 23 hours and 14 minutes of sailing and crossing the finishing line positioned below San Francisco’s Golden Gate bridge, on 16th February 2013. After 47 days, 0 hours, 42 minutes and 29 seconds Soldini and his crew slashed the previous record of 57 days, 3 hours and 2 minutes set in 1998 by Yves Parlier on board Aquitaine Innovations.

Earlier this year on 14th January 2014 Soldini and Maserati were first across the finishing line in the 14th edition of the Cape2Rio race, covering the 3,300 miles that separate Cape Town and Rio de Janeiro in 10 days, 11 hours, 29 minutes and 57 seconds. Soldini and his crew who included helmsman Pierre Casiraghi set a new regatta record.

The next endeavour will be an attempt at the North Atlantic record for the crossing between New York (USA) and Lizard Point (United Kingdom), which the Maserati Team will try to beat during summer 2014.

Text and photos courtesy of Maserati.

 
 
 
 
 
From Newspress in the UK
 
CENTENARY CELEBRATIONS ENSURE BIGGEST EVER PRESENCE
FOR MASERATI AT GOODWOOD FESTIVAL OF SPEED.
 

Maserati Alfieri Concept and GranCabrio MC Centennial Edition make UK public debut.

A class of its own: Maserati gets its own exclusive hill run classes - ‘100 Years of Maserati’ and the Cartier concours d’elegance ‘The height of fashion’

Largest collection of Maserati models at Goodwood Festival of Speed in history

Live motorsport-inspired art on the Maserati stand with ‘A Century of Victories’ collection

Monday, 23 June 2014 : Maserati accelerates its centennial celebrations in the UK with a spectacular display of its illustrious 100-year history at the Goodwood Festival of Speed. The luxury Italian sports car brand will be taking over the Stable Yard at the Goodwood estate for the duration of this year’s event with its largest ever display of cars past and present.

Headlining the festivities will be the Maserati Alfieri Concept, which will be making its UK public debut at the premiere event on the British motoring calendar. Named after one of the legendary Maserati brothers, the Alfieri Concept recently received the Design Award for Concept Cars & Prototypes at the Villa d’Este concourse. The Alfieri concept is a sleek 2+2 sports car which hints strongly at the future of the Italian brand’s design DNA.

Also on show at the Festival of Speed will be an array of some of Maserati’s most iconic machines from across the eras; the 1960 3500 GT and 1964 Mistral Spyder – which is valued today at over £300,000 – as well as original first generation Quattroporte and Ghibli models from the 1960s. Alongside the classic cars, Maserati will be showcasing its current line-up in full; the newest model in the range, the Ghibli Diesel, as well as the Quattroporte Diesel and a GranTurismo MC Stradale featuring a special carbon fibre bonnet. In another UK debut the GranCabrio MC Centennial Edition will also be on the Maserati stand.

Italian artist, Enzo Naso, will be at the event with an exclusive collection of 39 historic Maserati motorsport ‘lithographic’ posters from the ‘A Century of Victories’ album - a special art project made up of 100 images which has been commissioned as part of the company’s centennial celebrations. Throughout the festival Enzo will be in the Stable Yard completing artwork on a special poster featuring Stirling Moss racing a Maserati 250F to victory at Goodwood motor circuit in 1954.

On the famous Goodwood Hill Maserati will quite literally be in a class of its own. The brand has been assigned its very own class; ‘100 Years of Maserati’. A parade of over 20 Maseratis from the past 100 years will complete the iconic hill run in a momentous display of Italian sports car heritage. Models taking part include the quintessential racer; the Tipo 26M – the oldest Maserati at the event – and the 1957 Formula One world championship winning 250F. Also taking part from the Indianapolis Motor Speedway Hall of Fame is the 8CTF Boyle Special which recently relived its final Indy 500 victory lap exactly 75 years later. The historic Maserati cars will be displayed in the Cathedral Paddock over the weekend.

The Maserati GranTurismo MC Stradale and GranCabrio MC will also entertain spectators with the unmistakable sound of their stirring 4.7-litre V8 engines as they participate in the Michelin Supercar Run.

Maserati will also be a dominant presence in the Cartier ‘Style et Luxe’ concours d’elegance situated on the Cartier Lawn. Several Maserati models will compete in their own class, “The height of fashion” as Cartier marks its 20th appearance at Goodwood Festival of Speed. The exquisite display of 1950s sports cars includes the Maserati A6GCS Berlinetta, the race-bred racing prototype 150 GT Fantuzzi Spider and the classic A6 1500 Pinin Farina.

Text courtesy of Maserati.

 
 
 
 
 
From Newspress in the UK
 
MASERATI GIVES AND RECEIVES AWARDS IN AN
EVENING OF SURPRISES AT THE TAORMINA FILM FESTIVAL.
 

Ben Stiller wins the ‘Maserati Taormina Award’ and Maserati receives the ‘Taormina Arte Award’ as ‘The Best Advertisement of the Year’.

Friday 20 June 2014 – Maserati played a starring role in the Taormina Film Festival award ceremony both presenting an award to Ben Stiller and receiving an award for the Ghibli advert which premiered at this year’s Super Bowl. The awards ceremony was held in the stunning backdrop of Teatro Greco, a befitting scenery to celebrate Maserati’s Centennial.

 

Ben Stiller arrives in a Maserati Quattroporte

Pamela Anderson arrives in a Maserati
 

Giulio Pastore, General Manager Maserati Europe, presented the ‘Maserati Taormina Award’ to American actor Ben Stiller. Stiller was chosen in recognition of the close affinity between Maserati and the character that he masterfully portrayed in the movie ‘The Secret Life of Walter Mitty’.

 

Claudia Cardinale arrives in a Maserati Quattroporte

Eva Longoria arrives in a Maserati
 

As Walter Mitty dreamed of displaying the strength, intelligence, looks and courage he knew he possessed, so too Maserati was born from a dream – that of Alfieri Maserati and his brothers – which became a reality in Bologna in 1914, one hundred years ago.

Faithful to its origins though committed to continuous technological innovation, Maserati, in its centenary year, chose this very message for the 90 second television advert for the Ghibli. The ad was first broadcast to an audience of 110 million during the Super Bowl match which took place on the 2nd of February 2014 at the MetLife Stadium in East Rutherford, New Jersey.

 

Giulio Pastore receives the Taormina Arte Award

Maserati Ghibli stars in the Super Bowl advert
 

The Fiat Group was the main sponsor of the prestigious event, consolidating in celebration both the 60th edition of the Taormina Film Festival and the 100th anniversary of Maserati. The 60th Taormina Film Festival was held from 14th to 21st June with Maserati providing the exclusive courtesy car service to the international stars – a constant automotive presence on the red carpet.

In this year’s 60th edition of the Taormina Film Festival, the Maserati Ghibli and Quattroporte drew the gaze of all present even before the stars on board emerged from them. And every evening, before the film premieres, the music of their engines and their impeccable elegance were complemented by the breath-taking images and mighty roar of the Ghibli that starred in the Super Bowl advert along with the young American actress Quvenzhané Wallis.

The advert, directed by David Gordon Green, delivers a message of hard work, dedication, commitment, passion and tenacity. It pays a clear homage to the values expressed by the first 100 years of Maserati’s glorious history and by the first 60 years of the Taormina Film Festival and tells how, through commitment, perseverance, passion and dedication, obstacles can be overcome and dreams turned to reality.

Terrazza Maserati - the main sponsor's area at the prestigious Hotel Timeo – was a central hub of the festival, hosting interviews, meetings, cocktail parties and events.

Text and photos courtesy of Maserati.

 
 
 
 
 
From Newspress in the UK
 
MASERATI CENTENNIAL EXHIBITION INAUGURATED IN MODENA.
 

New exhibition retraces a century of Maserati at the spectacular Enzo Ferrari Museum (MEF). The unique exhibition hosts a priceless collection of historic models and gives visitors the opportunity to relive the history of Maserati through technology that transports you to the heart of the event.

Thursday, 19th June 2014 – A unique exhibition dedicated to the Centennial of Maserati was inaugurated in Modena this morning. MASERATI 100 - A Century of Pure Italian Luxury Sports Cars retraces the story of the Italian car manufacturer through an exhibition featuring some of the Trident marque’s most significant road and racing cars, plus a highly engaging show employing 19 projectors, enabling visitors to relive the most significant moments in the history of Maserati and to learn about the individuals who shaped its history. Staged in the futuristic Enzo Ferrari Museum, a stone's throw from the Maserati headquarters in Viale Ciro Menotti, the exhibition will run until January 2015. Considering the historic value of the models exhibited, this is the greatest exhibition of Maserati cars ever staged anywhere in the world.

 

The magnificent Maserati display at the Museo Enzo Ferrari in Modena
 

The inauguration of the new exhibition was attended by the CEO of Maserati, Harald Wester, and the Chairman of Ferrari, Luca Cordero di Montezemolo. They were joined by the cousins Carlo and Alfieri Maserati, sons, respectively, of Ettore and Ernesto Maserati, the two brothers who in 1914, together with Alfieri Maserati, founded the company that still bears their name today. The guest of honour at the inauguration was the legendary Sir Stirling Moss, the 1950s Maserati racing driver who scooped incredible victories for the Trident marque. The curator of the exhibition is Adolfo Orsi jr., grandson and son of Adolfo and Omer Orsi, owners of Maserati between 1937 and 1967. Coordinating the exhibition on the Maserati side is Luca Dal Monte, the company's director of public relations and press. The exhibition is organised under the supervision and direction of Antonio Ghini, director of MEF and of the Ferrari Museum in Maranello.

 

Ing. Bompani, Giuseppe Candini, Sir Stirling Moss and Dott. Adolfo Orsi discuss the merits of the Maserati Tipo 8/F1 engine.
 

Twenty-one Maseratis will be on permanent display for the duration of the exhibition and a total of approximately 30 will be admired over the course of the six-month run. Ten or so cars will be exhibited on a rotation basis, allowing them to take part in the countless events being staged across the globe to mark the Maserati centenary in the coming months. In keeping with the exhibition venue, which is dedicated to Enzo Ferrari as it was the birthplace of the legendary Modena-born car manufacturer, visitors will also have the opportunity to see rare Ferrari models and the most important Alfa Romeo racing cars of the pre-war period which were driven by Ferrari or entered in international competitions by the racing stable that still bears his name today. This part of the exhibition is located in the large workshop, where Enzo's father worked from the end of the 19th Century until his death, which today houses the extension to the Museum's exhibition space.

At the exhibition inauguration, the CEO of Maserati Harald Wester observed that: “The Centennial of Maserati could not have come at a better moment in our history. I say this because today Maserati is a thriving company, with new models that have proven hugely popular with an ever-increasing audience and others, in the pipeline, which will propel the company towards the prestigious goals that we have set. This exhibition, which retraces our first century of history, is truly one of a kind: never before have all these models which have shaped our history been gathered together under one roof.”

 

The beautiful Maserati Tipo 60 "Birdcage"
 

The Chairman of Ferrari, Luca di Montezemolo, who played a critical role in the re-launch of Maserati 15 years ago, said: “Today has a two-fold significance for me: I can clearly recall the conditions of quasi-neglect in which Maserati was floundering in 1997 when, together with my team at Maranello, I took up the challenge of re-launching the company. We shut the production sheds for six months, renovating and re-industrialising them, we created the new executive building and the large, spectacular showroom and, above all, we began working on the design and production of new models, one of which in particular has come to embody the current success: the 2003 Quattroporte. After this success story, Ferrari is today managing this important Museum which helps demonstrate to the entire world the unique ability that Italian car manufacturers have always had to build cars that are truly the stuff of dreams.”

The choice of which cars to exhibit fell to the exhibition curator, Adolfo Orsi, who explained his selection criteria: “In the difficult choice between the countless models, both racing and road-going, that have shaped the long history of Maserati, I tried to imagine “the dream-garage” of every car enthusiast, selecting not only the best in terms of engineering and style, but also the most important and historically significant examples of each model. I was fortunate to find an amazing spirit of collaboration on the part of dedicated collectors, who very generously agreed to lend their vehicles, some of which have been flown here from the other side of the Atlantic as they are virtually impossible to find in Europe.” It is therefore safe to say that MASERATI 100 will be the most important selection of Maserati cars ever presented.

 

From left to right:
Luca Cordero di Montezemolo (Chairman of Ferrari), Sir Stirling Moss, Harald Wester (CEO of Maserati),
Carlo Maserati (son of Ettore Maserati), Gian Carlo Muzzarelli (Mayor of Modena), Dott. Adolfo Orsi, Maria Teresa de Filippis,
Dott. Ing. Alfieri Maserati (son of Ernesto Maserati), Ermanno Cozza and Emilio Giletti (former Ferrari and Maserati racing driver).
 

The common denominator of the cars on show is an inimitable style which is profoundly… Maserati. Lorenzo Ramaciotti, current head of the FCA Style Centre as well as Maserati, and the inspiration behind the latest Maserati projects, underlined the originality and creativity of the stylistic journey undertaken by the Trident marque, which is apparent in the models exhibited: “For exclusive cars like Maseratis, style, together with speed and power, has always been a key element of success. Maserati's use of Italian designers who enjoyed the utmost freedom means that now, through the models on display, we can read a veritable anthology of designers at the height of their creative prowess. From Pininfarina, Touring and Frua to Bertone, Ghia, Giugiaro, Vignale and Zagato, all have contributed to the aesthetic heritage of Maserati with memorable models. Today the Maserati Style Centre is proud to carry on the tradition of the finest Italian Style with great passion, well aware of the responsibility that comes with a century of glorious history."

The Maserati exhibition encapsulates the two spirits of the company: the initial “sports” vocation that characterised the period from the early 1920s until the end of the 1950s, followed by a shift in focus to road-going models, a period that testified to the company's coming-of-age as a car manufacturer.

 

Maserati Tipo 26
 

Among the highlights of the exhibition are cars like the Tipo 26, the first car to sport the Maserati marque; and the V4 Sport Zagato, which set the world speed record in 1929 driven by Baconin Borzacchini. It was re-bodied in 1934 by Zagato and is a recent winner at the Concorso d’Eleganza at Villa d’Este. The exhibition would not have been complete, of course, without the legendary Maserati 250 F - winner of the Formula 1 World Championship with Juan Manuel Fangio in 1954 and in 1957, the year when the Argentine ace triumphed after a fantastic comeback in the epic German Grand Prix at the Nürburgring circuit. A phenomenal Formula One that helped build the legendary reputation Maserati enjoyed in the 1950s.

 

Maserati V4 Sport Zagato
 

Stirling Moss, who attended the inauguration, drove this particular racing car to some of his greatest ever victories, for example in the Italian and Monaco Grand Prix races of 1956. And of course it would be unforgivable not to mention the Tipo 60 “Birdcage”, another of the cars driven by Moss. This famous two-seater sports racing car with front-mounted engine, an ingenious Italian response to ever-evolving chassis for racing cars, was produced by welding together dozens of slender metal tubes to guarantee a rigid yet lightweight chassis. Used on the track by a number of private racing teams, it brought fame and prestige to Maserati with numerous wins from 1959.

 

Maserati Tipo 250 F
 

The road cars on show include one model which, although produced only in limited numbers and still in a rather artisan manner, constituted Maserati's first road car: the A6 1500 of 1947 bodied by Pinin Farina and built around a racing engine. This was a first attempt, a sort of general rehearsal, which hinted at the future of the Modena company. Taking a chronological leap forward, we find the 3500 GT of 1957: the first granturismo. This was the forerunner to other important Maserati coupé and spider models destined to earn a place in the automobile history books. And then there is the first series of the “world's fastest saloon,” the Quattroporte of 1965 once owned by Italian actor and Federico Fellini favourite Marcello Mastroianni.

 

Maserati Tipo 60 "Birdcage"
 

ntonio Ghini, Director of the Museum named after Enzo Ferrari, said: “The presence of an exhibition celebrating 100 years of Maserati in the Museum dedicated to Enzo Ferrari should come as no surprise. In reality, had Maserati not existed, Ferrari would not have been spurred on by the pressure of a rival, so this competition helped make Ferrari the universally acknowledged success story it is today. Indeed, Maserati was around even when Enzo Ferrari was a racing driver and, in the 1930s, it was an arch rival when Ferrari, with his motor racing team, competed with Alfa Romeo cars. Ferrari was well acquainted with the engineering talent of the Bologna-born brothers who had chosen the Trident as the symbol for their racing cars. However, what really sparked the future rivalry between the companies was the relocation of Bologna-based Maserati to Modena, following its takeover by the Orsi family. Future rivalry, because while Maserati in 1939 and 1940 won the world's most celebrated race, the Indianapolis 500, Ferrari was still busy building his first car, the 815 that didn't even sport his name. Only in the post-war period did the Trident and the Prancing Horse cross swords, and often drivers too, with Fangio crowned Formula 1 World Champion for both Ferrari and Maserati. The rivalry continued on the road, with the magnificent granturismo models designed and built just a few kilometers apart: in Modena and in Maranello. This exciting challenge, which made Modena and Italy the global reference for motorsport, came to a halt in the 1960s: while Ferrari remained firmly in the hands of its founder, who also gained backing from the powerful Fiat Group, Maserati underwent a series of changes in ownership, abandoning the world of competitive racing and adopting a different strategy in terms of market positioning. The “Renaissance” of the precious Trident marque came about in the 1990s with the acquisition of Maserati by Fiat Group and its carefully planned relaunch, entrusted precisely to its long-time rival, Ferrari. The launch of the Quattroporte in 2003 heralded the new take-off of this remarkable brand which today celebrates 100 years in business, presenting in this unique exhibition some of the most important and significant examples of its work.”

The inauguration was also attended by Carlo Maserati, son of Ettore, who worked alongside Alfieri in 1914. He remarked: “100 years have passed since uncle Alfieri founded the company ‘Società anonima Officine Alfieri Maserati’ and 116 since 1898 when the eldest brother, Carlo, then just 17, produced a motorised bicycle fitted with an engine he had designed and built by himself at home; it was an achievement that sparked a passion in his brothers, prompting them to follow his lead. The technical and sporting success they notched up in almost 70 consecutive years of business with both the Trident marque and that of OSCA is well known. This longevity can be attributed to harmonious relations within the family and a technical prowess that enabled them to produce a racing car in just six months of work. In memory of my father Ettore and my other uncles Bindo, Ernesto and Mario, I would like to express my gratitude to all those who have enabled Maserati to live on and to strive towards new goals.”

Alfieri Maserati, son of Ernesto, remembered that: “Founded as Officine Alfieri Maserati in 1914, this company, which sprang from the enterprising spirit and genius of its founder, my uncle Alfieri, kept on going after his untimely death in March 1932, thanks to the determination and great personal sacrifice of his brothers. I'm duty-bound also to mention the outstanding design and engineering skills of the youngest of the brothers, Ernesto Maserati, my father. In those days the brothers produced a series of formidable racing cars, both Grand Prix models and “Voiturettes”, as well as record-breaking automobiles that held up to 13 international speed records at the same time. After the Maserati brothers left the company in 1947, others carried on their work successfully. The acquisition by Fiat Group has enabled Maserati to attain the dominant position it enjoys today, with growing development in terms of quality and sales. The Centenary happily falls in the midst of all this, and the hard work, commitment and enthusiasm of all those who work at Maserati, a hundred years after the company's foundation, I find truly admirable. The spirit of the founders lives on.”

The Maserati brothers eventually sold the company to Adolfo and Omer Orsi. Adolfo Orsi jr. was named after his grandfather and for him the centenary is something special: “Of the many thousands of automobile manufacturers founded in the first two decades of the last century, only a few survive today and fewer still are those that can boast a prestige and tradition on a par with that of Maserati. It was the Maserati brothers, with their passion for engines, that began this legend in Bologna: the untimely death of Carlo and of the founder Alfieri did not stop Bindo, Ernesto and Ettore, who fought like lions to keep the company going, driven by their absolute dedication and by the endless pursuit of technical innovation. In 1937 my grandfather Adolfo took over the helm and in 1939/1940 he relocated the factory to Modena. Maserati changed strategy: while continuing to win on racetracks all over the world, it became one of the most prestigious brands in the GT automobile sector. Monarchs, great entrepreneurs, celebrities from the world of entertainment and sport all flocked to buy a Maserati. After a period of mixed fortune, Fiat has injected new life into Maserati with a highly attractive range, and it has plans for further development in the coming years. It is no coincidence that the MASERATI 100 exhibition is taking place in Modena, where Maserati has been operating for some 75 years, and where generations of Modenese have channelled their energy and creativity. Famous drivers and engineers have, of course, contributed to the aura of legend, but so have countless employees and mechanics, proud to dedicate their working life to the company. My grandfather and father would be proud to see that their beloved Maserati lives on and can now celebrate a milestone that few other automobile manufacturers have reached.”

Text courtesy of Maserati, and photos courtesy of Maserati and Marcello Candini.

 
 
 
 
 
From Newspress in the UK
 
MASERATI AND LA MARTINA HOST UK POLO MATCH
CELEBRATING 100 YEARS OF ICONIC ITALIAN BRAND.
 

Monday 16 June 2014: On Sunday 15 June, the British round of Maserati’s Centennial Polo Tour was held at Cirencester Park Polo Club. The Jerudong Park Polo Trophy is the third event in the Italian brand’s celebratory tour which has already seen thrilling action on the field in Palm Beach in the USA and in Tianjin in China.

 

Team Maserati and Team BMG

Ball throw in at the Maserati Centennial Jerudong Park Polo
 

Playing in the UK match on the iconic Ivy Lodge ground were two very special guests; HRH The Duke of Cambridge played on the Maserati team whilst his brother HRH Prince Henry of Wales played on the opposing BMG team. Both took part in the game in aid of their chosen charities Centrepoint, Child Bereavement and Well Child. The Duchess of Cambridge and Prince George were also in attendance at Cirencester Park yesterday to cheer on HRH The Duke of Cambridge on Father’s Day.

In the end, it was the Maserati Team that secured a well-contested victory, with a final score of 8-7.5. The ‘Best Playing Pony’ accolade was awarded to New Zealand’s highest ranking polo player, John Paul Clarkin’s, chestnut pony who is coincidentally and very aptly named ‘Maserati’.

 

Above: HRH Prince Henry and HRH The Duke of Cambridge






Right: HRH Prince Henry at the Maserati Centennial Jerudong Park Polo
 

HRH The Duke of Cambridge was named ‘Most Valuable Player of the Match’ and was presented with a La Martina Pro Evolution Helmet by the polo brand’s co-founder, Gachi Ferrari.

Maserati together with its global brand partner, La Martina, showcased a bespoke one-off polo saddle which the two companies created in partnership to celebrate the centennial tour. The stylish saddle was on show alongside the newest model in Maserati’s line-up; the Ghibli executive saloon. Also on display was Maserati’s flagship model; the luxury four door Quattroporte.

 

Maserati Centennial Jerudong Park Polo Trophy

Best Playing Pony 'Maserati'
 

Giulio Pastore, General Manager Maserati Europe, presented the winning team with a trophy alongside the club’s chairman, Kuldip Dhillon. Speaking about the event Pastore said: “Maserati was proud to be at Cirencester Park Polo Club for such a momentous match on the British social calendar. Polo is about passion, performance and style – values which we share at Maserati.”

Having already visited the USA, China and the UK, the next international destination is Montecarlo from 3rd to 6th July, followed by United Arab Emirates in the autumn. A grand finale event will take place in early 2015 in Maserati’s homeland of Italy, where the tour’s best player will receive the Maserati Centennial Award.

For more information about Maserati’s Centennial celebrations visit: www.maserati100.com/

Text and photos courtesy of Maserati.

 
 
 
 

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